BTS’ Black Swan Is An Ode To Creatives Everywhere
The first time I listened to Black Swan, I was sitting in a crowded cafe, cake half-eaten, coffee bean half vacate. Going out was inevitable so I ‘d chosen to sit by myself alone, precisely as Black Swan was released. I did not know what to expect, to hear, to understand. But then again with BTS ‘ releases — you never do. I remember putting my earphones in and waited. Twelve seconds in and I already wanted to cry. Thirty seconds in and I already felt something stir inside of me. There was not much I understood but I felt as if I was yearning for something, for person but for what ? I wasn ’ thyroxine quite certain. I felt as I was ultimately understand but for what ? I wasn ’ metric ton quite certain either. All I remember is listening to Black Swan and then muteness. precisely the dim-witted ting of cutter against plates and the chatter of people I ’ ve never seen earlier. If person had seen me, they would have thought I saw a haunt. Or discovered something frightful. But it wasn ’ t sadness I felt or fear or anger or annoyance — but relief.
I wanted to play her again, wanted to read her lyrics and try to understand her but I stopped myself. I ’ vitamin d go family and listen to it, I told myself, amply immerse myself in her again. But the truth was that I was afraid .BTS Perform Black Swan For The Late Late Show With James Corden by and by when I went home and sat depressed, I brought up the lyrics. I sat gloomy, press maneuver, and listened. And then I understood. When RM admitted that he cried writing Black Swan, I understood. When a fan who couldn ’ triiodothyronine dance anymore found solace through Jimin ’ s performance, I understood. When Yoongi and Namjoon said their first gear deaths would be when the music stops feeling what it does to them, I understood. When Jimin broke mid-performance to do his solo where he showed all his love, his annoyance, his anguish, his relief, reaching out to something the consultation could not see before falling down— I understood. As a writer, I ’ ve never imagined a world without words. I have loved writing and take and music and artwork hanker before I discovered what they meant. And somehow, Black Swan, being an ode to creatives and artists by artists themselves meant more than it should have. Black Swan resonated deeply across people all over the world — specially through artists and it isn ’ metric ton surprising. It is an ode to every individual person who is two parts in love and three parts in hate with the art that they create.
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It is an ode to every single person who looks down at their hand and struggles to discern where they begin and where their beloved for art intersects. It is an ode to every single person who struggles to imagine a world without artwork, without music, without words. It is an ode to every unmarried person who has found purpose within their art but questions themselves — if art does not exist, where would I be ? If art does not exist, who would I be ? Black Swan makes you question why we perform, why we sing, why we dancing, why we sit down and write. It makes you imagine a world where art does not exist and you understand why it does. It is all about the concern of what art does to us, the fear of artwork not existing, the fear of art not having the lapp predominate it has on us everlastingly, the fear of existing without determination. When BTS lecture of dip into the deep ocean, alone to discover your own self, you understand. When they talk of your feet being pulled in and urgently trying to crawl out to see the easy, you understand. When they talk of never giving up, of what art does to them, of what it reminds them, you understand. Black Swan is all about the fear of what artwork does to us. It is all about not being able to create or perform. But it is all about what artwork does to us now, as well.
Read more : Do Seagulls Eat Pigeons? – Pigeonpedia
It is about how we have the capacity to be moved by artwork, to create, to perform, to dance, and sing our hearts out. It is about immortalizing our universe through art everlastingly. It is all about how art lives through us, how artwork has given us determination and saved our lives. Imagining a world without art or music makes the future look bare. If we do not create, why do we exist ? If paintings do n’t still time and hold it forever, how will we be able to reminisce and yearn and remember ? If we do not dance, how do we say what words fail us to say ? Black Swan is all about the reverence of losing what art does to us and what it means. But it is besides a reminder of our ability to create, to see, to imagine, to dance, to exist. It is a reminder that we are human and therefore we create .
I am broadly interested in how human activities influence the ability of wildlife to persist in the modified environments that we create.
Specifically, my research investigates how the configuration and composition of landscapes influence the movement and population dynamics of forest birds. Both natural and human-derived fragmenting of habitat can influence where birds settle, how they access the resources they need to survive and reproduce, and these factors in turn affect population demographics. Most recently, I have been studying the ability of individuals to move through and utilize forested areas which have been modified through timber harvest as they seek out resources for the breeding and postfledging phases. As well I am working in collaboration with Parks Canada scientists to examine in the influence of high density moose populations on forest bird communities in Gros Morne National Park. Many of my projects are conducted in collaboration or consultation with representatives of industry and government agencies, seeking to improve the management and sustainability of natural resource extraction.