Lane told the Wall Street Journal that “ I should specify the actual percentage of dancing that Natalie did. They are saying that it was 85-90 percentage of the dance but I can tell you honestly that it was about 5 percentage of the on-screen dance. ”
Benjamin Millepied, the film ’ sulfur choreographer and Portman ’ sulfur fiancé, had told the Los Angeles Times that “ 85 percentage of that movie is Natalie. ” And now comes Black Swan director Darren Aronofsky, who has released the follow statement through Black Swan distributor Fox Searchlight :
hera is the reality. I had my editor count shots. There are 139 dance shots in the film. 111 are Natalie Portman untouched. 28 are her dance double Sarah Lane. If you do the mathematics that ’ sulfur 80 percentage Natalie Portman. What about duration ? The shots that feature the double are broad shots and rarely play for longer than one moment. There are two complicated longer dancing sequences that we used face successor. evening sol, if we were judging by time over 90 percentage would be Natalie Portman .
And to be clear Natalie did dance on pointe in pointe shoes. If you look at the final blast of the afford prologue, which lasts 85 seconds, and was danced completely by Natalie, she exits the scene on pointe. That is wholly her without any digital magic trick. I am responding to this to put this to rest and to defend my actor. Natalie sweated long and hard to deliver a capital physical and aroused performance. And I don ’ thymine want anyone to think that ’ s not her they are watching. It is .
Best actress Oscar winner Natalie Portman has remained silent about the controversy .
According to the Wall Street Journal, Sarah Lane besides explained in an electronic mail that she earned “ $ 4000 per week before taxes so after taxes it was about $ 2000 plus a small overtime ” for six weeks and two days of work on the $ 13 million-budgeted Black Swan. Black Swan has taken in $ 281.57 million global .
Ah, minor detail : the Black Swan DVD/Blu-ray comes out on March 29, that ’ s tomorrow. surely, the beautifully time fouetté controversy won ’ metric ton hurt sales and rentals .
Since her Best actress Oscar win last February, Natalie Portman has become embroiled in a few “ controversies ” : first, Fox News commentator and potential Republican presidential campaigner Mike Huckabee denounced the “ glamorization ” of her out-of-wedlock pregnancy ( Huckabee late backpedaled ; Portman ’ s Black Swan is distributed by Fox Searchlight ) ; then Portman publicly dissociated herself from royal poinciana designer John Galliano after he was caught on television vomiting a wholly skid of anti-semitic tirades .
Portman ’ s latest, absolutely timed for the March 29 release of the Black Swan DVD/Blu-ray, has pitted the Oscar achiever against her Black Swan dance bivalent, Sarah Lane, who claims that Portman actually performed “ about 5 percentage of the on-screen dance ” in the Darren Aronofsky-directed psychological thriller. If Lane ’ randomness story is truthful, some have wondered if Portman would have won the Best Actress Oscar had Black Swan dance-double percentages been made public rear in January or February .
personally, I think it would have made absolutely no difference. After all, a few years ago Joaquin Phoenix did his own singe for Walk the Line, but still lost the Best actor academy award to Capote ‘ s Philip Seymour Hoffman. Jamie Foxx and Marion Cotillard, on the other hand, had their voices dubbed in, respectively, Ray and La Vie en Rose ; that didn ’ t prevent Academy members from naming Fox the Best actor of 2004 and Cotillard the Best actress of 2007.
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That was distinctly because Academy members felt that Foxx ’ sulfur transformation into Ray Charles and Cotillard ’ s into Edith Piaf encompassed much more than just a cantabile voice. The same goes for Natalie Portman as the ballerina gone amuck in Black Swan ; Portman ’ s dramatic scenes, not her dance, were the ones that counted toward her Oscar victory .
April 18 update : Natalie Portman has kept florist’s chrysanthemum about who did what in Black Swan, but Sarah Lane, Portman ’ s ballet double in Darren Aronofsky ’ s psychological thriller, refuses to stop talking about the matter. The return is evocative of the Mercedes McCambridge “ monster voice ” affair when William Friedkin ’ s The Exorcist came out in late December 1973. McCambridge initially received no citation for dubbing the voice of the obsessed Linda Blair .
Although Sarah Lane told ABC ’ s 20/20 that “ I decidedly think [ Portman ] deserves all the accredit that she got with the Oscar, ” she besides stated that “ it very hurts for person to say that they got a personal trainer and they became what I spent blood, effort and tears doing every sidereal day, all my life, in merely a year and a half. ” Lane international relations and security network ’ t directly blaming Portman. alternatively, she focuses on Fox Searchlight ’ randomness Oscar campaign which obviously insinuated that Portman became a ace ballet dancer while training for her Black Swan character .
“ I ’ ve been doing this for 22 years, and to say that person trained for a year and a half and did what I did is degrading not only to me but to the entire ballet world, ” Lane affirmed .
Black Swan director Aronofsky, fellow player Mila Kunis, choreographer Benjamin Millepied ( who besides happens to be Portman ’ s fiance ) have all come to the Oscar achiever ’ mho refutation .
Editor Andy Weisblum has by and large sided with Portman on the issue, telling 20/20 that “ there are about 35 shots that are full-body shots in the movie. Of those 35 shots, 12 are Natalie, and then the rest are Sarah. But over the overall film, Natalie did a lot more than that. ”
Weisblum quotation : The Hollywood Reporter
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Darren Aronofsky instruction via EW.com .
Natalie Portman Black Swan effigy : Niko Tavernise | Fox Searchlight .
I am broadly interested in how human activities influence the ability of wildlife to persist in the modified environments that we create.
Specifically, my research investigates how the configuration and composition of landscapes influence the movement and population dynamics of forest birds. Both natural and human-derived fragmenting of habitat can influence where birds settle, how they access the resources they need to survive and reproduce, and these factors in turn affect population demographics. Most recently, I have been studying the ability of individuals to move through and utilize forested areas which have been modified through timber harvest as they seek out resources for the breeding and postfledging phases. As well I am working in collaboration with Parks Canada scientists to examine in the influence of high density moose populations on forest bird communities in Gros Morne National Park. Many of my projects are conducted in collaboration or consultation with representatives of industry and government agencies, seeking to improve the management and sustainability of natural resource extraction.
